Machine désirante (2013)
For piano quartet
Premiere : May 12, 2013, Chapelle historique du Bon-Pasteur (Montréal)
Ensemble Morpheus
[in the context of the Chapelle historique du Bon-Pasteur composer residency]
Les pavements de San Marco II (2013)
For viola and electronics
Premiere : May 10, 2013, Chapelle historique du Bon-Pasteur (Montréal)
Julie-Anne Derome, viola
with the assistance of Adam Basanta
[in the context of the Chapelle historique du Bon-Pasteur composer residency]
Sept proximités (2013)
Suite for two violins
Premiere : April 8, 2013, Chapelle historique du Bon-Pasteur (Montréal)
Jonathan Crow and Andrew Wan, violins
[commissioned by Innovations en concert, thanks to a CALQ grant]
Dans de la nature (2013)
For English horn, basset horn, French horn and orchestra
Premiere : March 16, 2013, Maison symphonique (Montréal)
Montreal Symphony Orchestra
Pierre-Vincent Plante, English horn; André Moisan, basset horn; John Zirbel, French horn
conductor : Kent Nagano
[commissioned by the MSO; work inspired by the book Dans de la nature from poet Philippe Beck (Flammarion, 2003)]
Mort objet petit a (2012)
For baritone, crotale and piano
Premiere : February 22, 2013, Chapelle historique du Bon-Pasteur (Montréal)
Vincent Ranallo, baritone and crotale; Francis Perron, piano
Text by Maxime McKinley, based on Jacques Lacan and Thérèse d'Avila
[in the context of the Chapelle historique du Bon-Pasteur composer residency and
the SMCQ Montreal / New Music International Festival]
Bondye konn bay men li pa konn separe (2012)
For symphony orchestra and electronics
work composed with DJ Champion
Premiere : October 5, 2012, Maison symphonique (Montréal)
Montreal Symphony Orchestra
electronics : DJ Champion
conductor : Kent Nagano
[commissioned by the MSO, thanks to a CAC grant]
Machine détraquée (2012)
For piano quartet
Premiere : May 6, 2012, Chapelle historique du Bon-Pasteur (Montréal)
Ensemble Morpheus
[in the context of the Chapelle historique du Bon-Pasteur composer residency]
Les pavements de San Marco (2012)
For violin and piano
Premiere : May 6, 2012, Chapelle historique du Bon-Pasteur (Montréal)
Duo Mandolini / Poulin
[in the context of the Chapelle historique du Bon-Pasteur composer residency, thanks to a CALQ grant]
1998 (2011)
For flute, clarinet and piano
Premiere : February 25, 2012
Audrey Roy, flute; Myriam Roy, clarinet, Félix Marquis, piano
Salle Serge-Garant, Université de Sherbrookeduration : ca. 6’ min
[in the context of an educative project of CMC-Québec and Cégep de Sherbrooke]
An example of making anything signify anything (2011)
For piano
Premiere : December 9th, 2011, Chapelle historique du Bon-Pasteur (Montréal)
Matan Porat, piano
[in the context of the Chapelle historique du Bon-Pasteur composer residency]
Hommage à Louis C. Tiffany (2011)
For 4 trumpets and 4 trombones
Premiere : September 26, 2011, Salle Bourgie (Montréal)
Brass ensemble, cond. : Christopher Jackson
[commissioned by the Fondation Arte Musica of the Musée des Beaux-Arts de Montréal]
Postseason (2010)
For pianoforte, violin, clarinet and orchestra
Premiere : February 5, 2011, Salle Redpath (Montréal)
Ensemble Caprice, conductor : Matthias Maute
[commissioned by the Ensemble Caprice, thanks to a CALQ grant]
Mauricio (2010)
For violin, cello and piano
Premiere : October 14, 2010, Conservatoire de Montréal,
Trio Fibonacci
[commissioned by the Trio Fibonacci, thanks to a CALQ grant]
Mandala (2010)
For guitar
Premiere : August 4, 2010, Chapelle Fitzbach (Saint-Georges de Beauce),
Jérome Ducharme, guitar
Territoire Lune (2009)
For violin
Premiere : October 14, 2010, Conservatoire de Montréal,
Julie-Anne Derome, violin
Re : ...être cela même... (2002 / 2009)
For guitar, two perfomance artists and music box
Premiere : May 30, 2009, Chaufferie de la coopérative Lézart (Montréal)
Jérôme Ducharme, guitar; Belinda Campbell, performance and music box; Sarah Wendt, performance
durée : ca. 8’ min[in collaboration with Sophie Castonguay and Mathieu Marcoux]
La voix de Perceval (2009)
For baritone, tibetan bowl, violin and viola da gamba
Premiere : April 23, 2009, Espace Dell'Arte (Montréal)
Vincent Ranallo, baritone and tibetan bowl; Nadia Francavilla, violin,
Elin Söderström, viola da gamba
text by Tania Langlais
duration : ca. 8' min
Concerto "Fisher-Price" (2008-2009)
Concerto for recorder and
ensemble of 15 instruments
Premiere : May 6, 2009, salle Pierre-Mercure (Montréal)
Ensemble
contemporain de Montréal+, conductor : Véronique
Lacroix,
soloist : Matthias Maute
duration :
ca. 12’ min
[commissioned by the ECM+, thanks to a CAC grant]
Sorciers manga (2008)
For harpsichord quartet and string quartet
Premiere : October 3, 2008, Chapelle Notre-Dame-du-Bon-Secours (Montréal)
Clavecin en concert, artistic director : Luc Beauséjour
duration : ca. 13’ min
Wirkunst-Nijinski (2007)
For clarinet, violin, cello, percussion and piano
Premiere : December 5, 2007, Chapelle historique du Bon-Pasteur (Montréal)
Ensemble Chorum, conductor : Nicolas Gilbert
duration : ca. 10’ min
Wirkunst-Yourcenar (2007)
For symphony orchestra
Premiere : May 4, 2008, Jane Mallett theater (Toronto)
Esprit Orchestra, conductor : Alex Pauk
duration : ca. 14’ min
[commissioned by Esprit Orchestra, thanks to a CAC grant]
Wirkunst-Lorca (2004, rev. 2007)
For harpsichord and electronics
Premiere : October 7, 2007, Atelier de Jean-Paul Riopelle (Estérel)
Nicolas-Alexandre Marcotte,
duration : ca. 12’ min
with the assistance of Joël-Aimé Beauchamp
Transports
(2007)
Installation
work composed with
Joël-Aimé Beauchamp
Premiere : July 14, 2007, Fondation Derouin (Val-David)
duration :
ca. 18’ min. (loop)
[commissioned
by the Fondation Derouin]
Wirkunst-Gómez
(2006)
Concerto for guitar and
ensemble of 10 instruments
Premiere : October 9, 2006, salle Pierre-Mercure (Montréal)
Ensemble
contemporain de Montréal, conductor : Véronique
Lacroix,
soloist :
Pablo Gómez
duration :
ca. 16’ min
[commissioned by the ECM, thanks to a CALQ grant]
Wirkunst-Pellan
(2006)
For symphony orchestra
Premiere : July 20, 2006, Église Saint-Dominique (Québec)
Orchestre
de la francophonie canadienne, conductor : Jean-Philippe Tremblay
duration :
ca. 11 min
Wirkunst-Kundera
(2004-2006)
For symphony orchestra
duration :
ca. 18’30’’ min
Les
testaments trahis (Wirkunst-Kundera II) (2005-2006)
For symphony orchestra
Premiere : April 1, 2006, salle Claude-Champagne (Montréal)
Orchestre
de l’Université de Montréal, conductor
: Jean-François Rivest
duration :
ca. 7’30’’ min
Wirkunst-Fellini
(2005)
For an ensemble of 12 instruments
Premiere : June 29, 2005, Southam Hall (Ottawa)
Ensemble
de l’OFC, conductor : Jean-Philippe Tremblay
duration :
ca. 9’30’’ min
[written
for the Young Composers Program, National Arts Centre]
Wirkunst-Forum
(2004-2005)
For violin, cello and piano
Premiere : May 4, 2005, Chapelle Saint-Louis (Montréal)
Trio
Hochelaga
duration :
ca. 10’ min
For symphony orchestra
Premiere : Mars 27, 2004, Église Saint-Jean-Baptiste
(Montréal)
Orchestre
symphonique du Conservatoire de Montréal, conductor : Louis
Lavigueur
duration :
ca. 11’ min
Quatre
miroirs-loukoum précédés par Le salon
(2003)
For soprano, percussion and electronics
Premiere : April 14, 2004, Maison de la Culture Notre-Dame-de-Grâce
(Montréal)
Duo
Prémices
duration :
ca. 14’ min
with the assistance of Joël-Aimé Beauchamp
Tombeau
de Dietrich Buxtehude (2003)
For
13 brass and 2 percussions
Premiere : Mars 2003, 5ième salle de la
Place-des-Arts (Montréal)
Ensemble
de cuivres du Conservatoire de Montréal, conductor : Manon
Lafrance
duration :
ca. 4’30’’ min
Devri
Kebir l’inventeur (2002)
For symphony orchestra
Premiere : April 20, 2003, salle André-Mathieu (Laval)
Orchestres
symphoniques des jeunes de Montréal et de la
Montérégie
conductor
: Dalia Atlas
duration
: ca. 8’30’’ min
[commissioned by the AOJQ, thanks to a CALQ grant]
…être
cela même… (2002)
For guitar
Premiere : December 2002, 5ième salle de la
Place-des-Arts (Montréal)
Jérôme
Ducharme, guitar
duration :
ca. 5’30’’ min
Zénon
l’alchimiste (2001-2002)
For 16 instruments and
recitant-ténor
Partial
premiere in December 2001, 5ième
salle de la Place-des-Arts (Montréal)
Complete
premiere in February 2002, Chapelle historique du Bon-Pasteur
(Montréal)
CIMC
du Conservatoire de Montréal, conductor :
Véronique Lacroix
duration :
ca. 14’ min
Le
Taureau bleu (2001)
For oboe, bass clarinet,
violin, viola and double bass
duration :
ca. 5’ min
Zénon
l’alchimiste, cello version (2001)
For
cello
Premiere : Mars 2001, salle Gabriel-Cusson
Caroline
Milot, cello
duration :
ca. 11’30’’ min
Hommage
à Jean-Paul Riopelle (2000)
For 8 flutes
Premiere : October 2000, salle Gabriel-Cusson (Montréal)
Ensemble
Alizé, conductor : Véronique Lacroix
duration :
ca. 8’ min
[commissioned
by Alizé / ECM]
Microscopie
d’étoiles (2000)
For seven trumpets
Premiere : Mars 2000, salle Gabriel-Cusson (Montréal)
Ensemble
de trompettes du Conservatoire de Montréal, conductor :
Manon Lafrance
duration :
ca. 2’30’’ min
Solspic
(1999)
For piccolo
Premiere : December 1999, basement of the Conservatoire de Montréal
(Montréal)
Isabelle
Dimmock, piccolo
duration :
ca. 2’ min
Intermittences
cérébrales et/ou rotor cervical
(1999)
For trombone
Premiered : Mars 1999, salle Gabriel-Cusson (Montréal)
Benoît
Paradis, trombone
duration :
ca. 4’30’’ min
Katégémon-Proposis
(1998)
For
violin, cello, guitar and percussion
Premiere : November 1999, salle Gabriel-Cusson (Montréal)
CIMC
du Conservatoire de Montréal
duration : ca. 7’30’’ min
Figures de sable (1998)
For guitar
Premiere : August 4, 2010, Chapelle Fitzbach (Saint-Georges de Beauce),
Jérome Ducharme, guitar